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Macbeth in Modern European Culture

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Beschreibung

This book explores the crucial role Shakespeare's play has performed in European culture in the long 20th century.

The story of regicide, ambition, civil war and tyranny has resonated across a continent ravaged by armed conflict and riven by competing political and ideological systems. Equally, the...

Beschreibung

This book explores the crucial role Shakespeare's play has performed in European culture in the long 20th century.

The story of regicide, ambition, civil war and tyranny has resonated across a continent ravaged by armed conflict and riven by competing political and ideological systems. Equally, the play's acute explorations of gender dynamics, mental breakdown, guilt and suicide have spoken to the psychological and interpersonal pressures of European life in the 'Age of Extremes'.

This unique book gathers expert contributors from across the continent to explore adaptations of the play from 1870-2020. Each chapter explores the fascination Macbeth has exerted in a remarkable variety of places and contexts, from Stalin's Russia to contemporary Catalonia, from the Scottish tourist industry to the French radio airwaves. Throughout, we see how European adaptors have been liberated from the demands of fidelity to the original Anglophone text. From a European perspective, Macbeth offers a powerful myth that is both flawed and somehow indispensable. It demands to be re-told but it also requires fixing through adaptation.

This collection is distinctive in the sheer range of adaptations it considers: while the stage is represented throughout, we also learn about Macbeth on radio, in novels, in poetry, in graphic art and photography, adapted for local political and personal resonances in private such as letters and diaries, but also in the public spheres of newspaper columns and high-profile court cases. Anyone who reads this book will never see the play in the same way again.

Portrait

Juan F. Cerdá is Lecturer in English at the University of Murcia, Spain. He has published articles in Shakespeare, Cahiers Élisabéthains, Borrowers and Lenders, has contributed to Shakespeare and Conflict: A European Perspective (2013), Shakespeare Beyond English: A Global Experiment (2013), The Taming of the Shrew: The State of Play (Arden, 2021) and he has co-edited Shakespeare in Spain. An Annotated Bilingual Bibliography (2015) and Romeo and Juliet in European Cultures (2017).

Paul Prescott is Teaching Fellow in the Institute for Advanced Teaching and Learning, University of Warwick, UK. He has published A Year of Shakespeare, Shakespeare on the Global Stage, Othello: Arden Performance Edition and Shakespeare on European Festival Stages with The Arden Shakespeare, and is also active in theatre production as the co-founder of the eco-festival 'Shakespeare in Yosemite'.

Mark Thornton Burnett is Professor of Renaissance Studies at Queen's University Belfast, UK. His books include Shakespeare and World Cinema (2013), 'Hamlet' and World Cinema (2019), Constructing 'Monsters' in Shakespearean Drama and Early Modern Culture (2002) and Filming Shakespeare in the Global Marketplace (2007; 2nd ed. 2012). He is series editor of the Arden Shakespeare series Shakespeare and Adaptation.

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

19.08.2027

Herausgeber Juan F. Cerdá + weitere
Verlag Bloomsbury Academic

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

19.08.2027

Herausgeber
Verlag Bloomsbury Academic
Seitenzahl

304

Maße (L/B/H)

21,6/13,8/2,8 cm

Gewicht

454 g

Sprache

Englisch

ISBN

978-1-350-42755-6

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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