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Produktbild: British Crime Cinema

British Crime Cinema

308,99 €

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Beschreibung

This is the first substantial study of British cinema's most neglected genre. Bringing together original work from some of the leading writers on British popular film, this book includes interviews with key directors Mike Hodges (Get Carter) and Donald Cammel (Performance). It discusses an abundance...

Beschreibung

This is the first substantial study of British cinema's most neglected genre. Bringing together original work from some of the leading writers on British popular film, this book includes interviews with key directors Mike Hodges (Get Carter) and Donald Cammel (Performance). It discusses an abundance of films including:
* acclaimed recent crime films such as Shallow Grave, Shopping, and Face.
* early classics like They Made Me A Fugitive
* acknowledged classics such as Brighton Rock and The Long Good Friday
* 50s seminal works including The Lavender Hill Mob and The Ladykillers.

Portrait

Steve Chibnall is Senior Lecturer in Media Studies at de Montfort University, Leicester. Robert Murphy is senior Research Fellow at de Montfort University.

Produktdetails

Einband

Gebundene Ausgabe
Erscheinungsdatum

20.05.1999
Abbildungen

Tabellen, schwarz-weiss
Herausgeber Steve Chibnall + weitere

Produktdetails

Einband

Gebundene Ausgabe
Erscheinungsdatum

20.05.1999
Abbildungen

Tabellen, schwarz-weiss
Herausgeber
Verlag Taylor and Francis
Seitenzahl

266
Maße (L/B/H)

24/16,1/1,9 cm
Gewicht

517 g
Sprache

Englisch
ISBN

978-0-415-16869-4
Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: British Crime Cinema

  • List if illustrations, Notes on contributors, Acknowledgements, Chapter 1: Parole overdue: releasing the British crime film into the critical community, Chapter 2: The censors and British gangland, 1913-1990, Chapter 3: Spin a dark web, Chapter 4: Outrage: No Orchids for Miss Blandish, Chapter 5: Men, women and money: masculinity in crisis in the British professional crime film 1946-1965, Chapter 6: The higher heel: women and the post-war British crime film, Chapter 7: The emergence of the British tough guy: Stanley Baker, masculinity and the crime thriller, Chapter 8: Ordinary people: 'New Wave' realism and the British crime film 1959-1963, Chapter 9: Performance: interview with Donald Cammell, Chapter 10: Mike Hodges discusses Get Carter with the NFT audience, 23 September 1997, Chapter 11: A revenger's tragedy - Get Carter, Chapter 12: Dog eat dog: The Squeeze and the Sweeney films, Chapter 13: Space in the British crime film, Chapter 14: Allegorising the nation: British gangster films of the 1980s, Chapter 15: From underworld to underclass: crime and British cinema in the 1990s, A filmography of British underworld films, 1939-1997, Index